Mendenhall 2 juxtaposes these two events when she writes that Calixta, 'felt very warm. She unfastened her white saque at the throat. It began to grow dark and suddenly realizing the.

“At the ’Cadian Ball” is Kate Chopin’s prequel to her famous short story “The Storm,” describing how Calixta and Alcée came to marry other people.

“At the ’Cadian Ball” is included in Bayou Folk, Kate Chopin’s first book of short stories. The sketch of an Acadian woman is the frontispiece of A Night in Acadia (1897), Chopin’s second book of short stories.

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Characters
Time and place
Themes
When the story was written and published
Questions and answers
Accurate texts
New All of Kate Chopin’s short stories in Spanish
Articles and book chapters about the story
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At the cadian ball Start your review of At the 'Cadian Ball The 'Cadian Ball was a social gathering of young Cajuns looking to 'hook up' with a suitable marriage partner. Calixta was a vixen, very beautiful and desirable. Cajun men did not measure up to her standards. Bobinot, however, was smitten with her.
CHOPIN AT THE CADIAN BALL PDF CHOPIN AT THE CADIAN BALL PDF Kate Chopin’s “At the ‘Cadian Ball” discusses themes such as race, and economic and social class in the late 19th century in Louisiana.
'At the 'Cadian Ball' by Kate Chopin. Plot Summary: Alcee Laballiere is a male upper-class Creole. He becomes betrothed to his cousin Clarisse. He actually likes.
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Reading Kate Chopin’s “At the ‘Cadian Ball” online and in print

You can read the story online, although if you’re citing a passage for research purposes, you should check your citation against one of these accurate printed texts.

“At the ‘Cadian Ball” characters

Bobinôt: Acadian farmer; he appears also in Chopin’s short story “The Storm”
Calixta: she too appears in “The Storm”
Alcée Laballière: Creole planter; he appears in “The Storm” and “Croque-Mitaine” and is mentioned in “In and Out of Old Natchitoches”
Clarisse: goddaughter of Alcée’s mother
Bruce: servant of Alcée
African American at the ball

“At the ‘Cadian Ball” time and place

The story takes place in the late nineteenth-century at the Louisiana plantation of Alcée Laballière, a few hours (in the 1890s) by train from New Orleans, at the nearby Friedheimer’s store, and at the ‘Cadian ball.

“At the ‘Cadian Ball” themes

As we explain in the questions and answers below, some readers focus on the social relationships in the story, on the relationships between the Creoles—Clarisse and Alcée—and the Acadians—Calixta and Bobinôt.

You can read about finding themes in Kate Chopin’s stories and novels on the Themes page of this site.

When Kate Chopin’s “At the ‘Cadian Ball” was written and published

The story was written between July 15 and 17, 1892, and published in Two Tales (Boston) on October 22, 1892. It was reprinted in Chopin’s collection of stories Bayou Folk in 1894.

You can find out when Kate Chopin wrote each of her short stories and when and where each was first published.

Questions and answers about “At the ‘Cadian Ball”

Q: Did this story become known because it is a prequel to “The Storm”?

A: It certainly became better known after readers discovered “The Storm,” and from what we can tell, it was not much read before “The Storm” was published in the late 1960s. But it was, in fact, one of the first of Kate Chopin’s short stories to be reprinted after her death. It appeared in 1921 as one of sixteen local color stories in Short Stories of America edited by Robert L. Ramsay and published in Boston by Houghton Mifflin.

Q: Why doesn’t Clarisse go to the ‘Cadian Ball? And why is she upset that Alcée does?

A: It’s a partly matter of social class. Clarisse and Alcée are Creoles, descendants of French or Spanish settlers in Louisiana. Calixta and Bobinôt are Acadians, descendants of French-American exiles from Acadia, Nova Scotia, who were driven from their homes by the British in 1755. Most of the Creoles in Chopin’s stories are comparatively wealthy, usually landowners or merchants. Most of the Acadians (or ‘Cajuns) in the stories are much poorer, living off the land, farming or fishing or working for the Creoles. Clarisse takes her higher social status as a Creole seriously and thinks Alcée has no business at a ‘Cadian ball. “Nice conduc’ for a Laballière,” she says. She understands, though, that it is common for a Creole man to appear at such get togethers, perhaps in search of a liaison with a ‘Cadian woman. It would be unusual for a Creole woman to attend a ‘Cadian ball.

In addition, as Heather Ostman points out, although Clarisse does not go to the ball, she follows Alcée there. She may be concerned about Alcée meeting Calixta, because the two were involved in a well-known “ambiguous event at Assumption in the previous year.” Clarisse, Ostman notes, may be “betraying her underlying, deeper fear: she is afraid Alcée will leave her for Calixta.”

At The Cadian Ball Pdf

Q: I’ve read an article about “The Storm” that suggests Calixta has some African-American blood. Is that right?

A: No. Her mother is Cuban. Everyone in the community thinks of her as Acadian with some Spanish blood. As the story phrases it, “Any one who is white may go to a ‘Cadian ball, but he must pay for his lemonade, his coffee and chicken gumbo. And he must behave himself like a ‘Cadian.”

You can read more questions and answers about Kate Chopin and her work, and you can contact us with your questions.

For students and scholars

Accurate texts of “At the ‘Cadian Ball”

The Complete Works of Kate Chopin. Edited by Per Seyersted. Baton Rouge: Louisiana State University Press, 1969, 2006.

Bayou Folk and A Night in Acadie. Edited by Bernard Koloski. New York: Penguin, 1999.

Kate Chopin: Complete Novels and Stories. Edited by Sandra Gilbert. New York: Library of America, 2002.

Articles and book chapters about “At the ‘Cadian Ball”

Some of the articles listed here may be available on line through university or public libraries.

Hebert-Leiter, Maria. “The Awakening Awakened.” In Becoming Cajun, Becoming American: The Acadian in American Literature from Longfellow to James Lee Burke, 57–78. Baton Rouge: LSU Press, 2009.

Kirby, Lisa A. “‘So the Storm Passed…’: Interrogating Race, Class, and Gender in Chopin’s ‘At the ‘Cadian Ball’ and ‘The Storm’.” Kate Chopin in the Twenty-First Century: New Critical Essays. 91-104. Newcastle upon Tyne, England: Cambridge Scholars, 2008.

Seay, Geraldine H. “Kate Chopin’s Source for ‘At the Cadian Ball’.” Southern Studies 8 (1997): 37-42.

Berkove, Lawrence I. “‘Acting Like Fools’: The Ill-Fated Romances of ‘At the ‘Cadian Ball’ and ‘The Storm’.” Critical Essays on Kate Chopin. 184-196. New York: Hall, 1996.

Koloski, Bernard. “The Anthologized Chopin: Kate Chopin’s Short Stories in Yesterday’s and Today’s Anthologies.” Louisiana Literature 11 (1994): 18-30.

Sempreora, Margot. “Kate Chopin as Translator: A Paradoxical Liberation.” Louisiana Literature 11 (1994): 83-96.

House, Elizabeth Balkman. “The Awakening: Kate Chopin’s ‘Endlessly Rocking’ Cycle.” Ball State University Forum 20.2 (1979): 53–8.

Casale, Ottavio Mark. “Beyond Sex: The Dark Romanticism of Kate Chopin’s The Awakening.” Ball State University Forum 19.1 (1978): 76–80.

Arner, Robert D. “Kate Chopin’s Realism: ‘at the Cadian Ball’ and ‘the Storm’.” Markham Review 2.2 (1970): 1–4.